Dec 02, 2025
Who are the “Christians” being used as attack dogs against fellow believers on behalf of Israel and its political interests? When I dug into who these people actually are, what they are actually tied to, and what their organizations actually do, the results were absolutely shocking. Or maybe not. Because once you peel back the pious branding and the sentimental words about “blessing Israel,” you find an entire network of Christian Zionist operatives functioning as mouthpieces, political weapons, and narrative enforcers for the enemies of Christ. And the man who Mark Levin used to attack Tucker turns out to be at the center of one of the most astonishing examples of foreign influence dressed up as a ministry that I have ever seen.
I first came across the story the way millions did. I opened X and saw Mark Levin, the NeoCon oracle himself, posting a Jerusalem Post article quoting Mike Evans, founder of Friends of Zion, accusing Tucker Carlson of saying something “worse than the Nazi Party platform in 1921.”
It stopped me cold. That sort of statement is designed to detonate reputations. When I see someone deploy the word Nazi that casually, I instantly know they have either lost their mind or are trying to make someone else lose theirs. I have listened to Tucker Carlson for years, not casually but attentively. I have never once heard him say anything remotely antisemitic. I have also never heard him encourage hatred, bigotry, or violence toward anyone. He has spent more time publicly denouncing political extremism than most media hosts combined.
So my first reaction was simple disbelief. But my second reaction was curiosity. Levin is not stupid. He knows what he is doing. So why was a prominent Jewish NeoCon using the words of a supposed Christian minister to make a nuclear accusation against a fellow Christian? That is when the real question formed. Who is this Christian who allows himself to be turned into a political weapon for others? Who is this minister who takes his supposed spiritual authority and bends it into a tool for smearing Christian brothers in order to curry favor with the Israeli state or its media apparatus?
So I started digging. What I found was not a minister. Not a pastor. Not a prophet. Not even an evangelist. What I found was a political asset disguised as a Christian leader. What I found was a man who has constructed his identity around servicing the interests of a foreign nation and using theology as a disguise. And once I began examining the Friends of Zion empire he created, the hypocrisy behind his accusation became impossible to ignore.
That is why his line about “the pulpit must be stronger than the propaganda” struck me as pure projection. It was one of the most unintentionally revealing sentences I have ever read. He was not describing Tucker Carlson. He was describing himself. He was not condemning propaganda. He was confessing it. Because the Friends of Zion enterprise is built on propaganda. It is built on curated narratives, government favored storylines, state approved history, and a political theology that exists only to sanctify the interests of the Israeli government. Evans is steeped in propaganda all the way down to the bone. His museum is a propaganda platform. His media center in Jerusalem is a propaganda hub. His political relationships are propaganda channels. His awards are propaganda rituals disguised as honors. His public interventions in American media are propaganda attacks. He accused Tucker of what he does professionally.
THE PUBLIC FACE AND THE HIDDEN MACHINE
The truth behind Evans’s organization is the opposite of his self portrayal. It is not a ministry. It is a foreign influence platform operating under the cover of Christian Zionism. The Friends of Zion Museum sits not in a church but at the center of Jerusalem’s state tourism framework. It is officially promoted by the Ministry of Tourism, endorsed by the Ministry of Jerusalem and Heritage, and highlighted by the Jerusalem Development Authority. No foreign ministry anywhere on the planet is granted this level of state integration unless it serves a national purpose. And FOZ serves that purpose well. It offers Israel a professionally built narrative machine funded entirely by American donors.
That alone exposes the propaganda. A museum that tells only one side of a geopolitical story, subsidizes Israeli tourism, advances Israeli public diplomacy, and trains Israeli soldiers in state preferred history is not a ministry. It is an instrument. A ministry is accountable to God. A propaganda instrument is accountable to the state whose narrative it promotes. Evans built his museum to glorify Christian Zionists as saviors of Israel. The Israeli state embraced it because that narrative is politically useful. It reinforces the idea that Christian support is not just sentimental but historic, covenantal, and morally mandated. It creates a felt obligation in Christians to defend Israel even when Israel acts unjustly. And it wraps all of this in a religious vocabulary that discourages dissent.
This is propaganda. It is carefully engineered messaging designed to shape public opinion. Tucker Carlson does not engage in anything remotely similar. His show invites debate, questions assumptions, and challenges power structures. Evans, on the other hand, builds power structures, reinforces power structures, and defends power structures. If one wants to locate actual propaganda, all one has to do is follow where the Israeli government invests its time and endorsements. It invests in FOZ.
THE PUBLIC DIPLOMACY APPARATUS
The Friends of Zion Museum is not an isolated project. It is one node in a larger institutional ecosystem. Evans built a sophisticated media center in Jerusalem that Israel Hayom described as “dedicated to helping Israel’s public diplomacy efforts.” The Israeli government uses FOZ facilities for press events, diplomatic ceremonies, and the Christian Media Summit, which is organized by the Government Press Office and the Ministry of Jerusalem and Heritage. Prime ministers and presidents have stood on Evans’s stage to deliver speeches aimed at Christian audiences worldwide. They chose FOZ rather than government buildings or official cultural centers. They chose FOZ because it gives them a safe environment with a guaranteed friendly audience. FOZ offers the optics of Christian solidarity without the inconvenient presence of dissenting voices.
When Evans accuses others of propaganda, he is attacking those who question the very narratives he exists to protect. He is attacking those who refuse to treat foreign governments as sacred. Tucker Carlson’s criticism of American foreign policy has always been rooted in a simple idea. Nations must prioritize their own interests rather than serve as perpetual war machines for others. Evans calls that position antisemitic because his entire enterprise depends on blurring the line between critique of policy and hatred of people. That is why he resorts to grotesque historical comparisons. It is not because he believes them. It is because he needs them. Propaganda requires moral shock. It requires emotional punctuation. It requires labels so extreme they end debate. Evans uses those labels to protect the interests of the Israeli state.
THE LOBBY THAT PRETENDS IT IS A MINISTRY
Friends of Zion operates as a lobbying institution while pretending to be a devotional ministry. That is why Evans courts world leaders and hands out awards not to missionaries or scholars but to presidents, prime ministers, monarchs, and political influencers. The Friends of Zion Award is a lobbying instrument. It is a way to bolster the public image of leaders who support Israeli policy.
This is propaganda. Real ministries do not curate political pantheons. Real ministries do not praise politicians for military actions. Real ministries do not award foreign heads of state for their usefulness to geopolitical strategy. FOZ does. And the Israeli government pays attention. Whenever a global leader receives the FOZ award, Israeli politicians amplify the moment to demonstrate international support. The award is photographed, televised, and circulated across Israel’s media networks. It is political theater produced by FOZ and broadcast by the state. Tucker Carlson has never participated in anything comparable. He does not give out awards. He does not sanctify political leaders. He does not operate diplomatic channels. Evans does
THE FINANCIAL PIPELINE THAT PROVES THE POINT
Nothing exposes propaganda like money. When you look closely at FOZ’s financial ecosystem, the reality becomes unavoidable. Evans raises millions of dollars from American Christians and pours those funds into Israeli institutions, Israeli contractors, Israeli municipal programs, Israeli social projects, and Israeli tourism infrastructure. The money leaves the hands of American donors and reappears as Israeli assets. The FOZ Museum was built by Israeli firms, staffed by Israeli workers, and remains a permanent fixture of Israel’s cultural environment. The museum generates tourism revenue. The media center generates public diplomacy advantages. The humanitarian projects FOZ sponsors relieve the Israeli state of expenses it would otherwise incur.
This is state benefiting propaganda. It is not criminal. It is not illegal. But it is not spiritual ministry. Evans sells Christianity and delivers political influence. He sells biblical duty and delivers economic subsidy. He sells solidarity and delivers narrative shaping. And after doing all of this, he has the audacity to call Tucker Carlson worse than Nazis. The projection would be laughable if it were not so deceitful.
THE ACCUSATION THAT REVEALS EVERYTHING
When Evans condemned Tucker Carlson, he revealed the basic psychological trick behind all propaganda. Accuse your critics of the very thing you are doing. Evans lives in a world built on politicized narrative. Tucker Carlson lives in a world built on questions. Evans cannot survive questions, so he labels them dangerous. Tucker invites questions, so Evans labels him a Nazi.
This is why his statement struck me. It was not merely outrageous. It was a confession. It was the accidental unveiling of the entire machine behind him. And once you see that machine, you cannot unsee it.
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